
SOLD Tū ki te Mārama – Stand with Moon - Joanne Barrett
Acrylic on canvas 800 x 740
This work was created to reflect a state of existence, of being, of standing in stillness, and is an expression of my ongoing enquiry; how do I stand and exist on this whenua.
When we stand respectfully and in stillness, we to get present to the air, to the stars and moon and to the precious earth beneath our feet.

SOLD Ngā Kaitiaki Ipu Kai - Food Bowl Guardians - Joanne Barrett
Acrylic on canvas 800 x 740
This work was created to reflect a state of existence, of being, of standing in stillness and respect. It is encompassed by imagery representing the Pataka, Food Storage – a place to protect and preserve.
The Pou whenua, represent guardians or pillars creating light between sky and earth allowing the natural world, our Ipu Kai, our Food Bowl to thrive.

Circular Birdness Bearing - Tony Johnston
Acrylic on board, ceramic, 400 diameter
Tony Johnston is a visionary and ‘under the radar’ artist, whose works have featured in NZ Parliament, Manurewa Library, Manukau City Council Chambers and on the Firth of Thames where his Torea Mangu Oystercatcher sculpture faces the prevailing winds.
Expressionist, broadly figurative, presented in a loose, vigorous emotional style, Tony’s subjects are humans, animals and landscapes where figures are often distorted and surreal in form. His passion for conservation and recycling informs his work.

SOLD Matariki Bird Bearing No 1 - Tony Johnston
Acrylic on board, 300 diameter
Tony Johnston is a visionary and ‘under the radar’ artist, whose works have featured in NZ Parliament, Manurewa Library, Manukau City Council Chambers and on the Firth of Thames where his Torea Mangu Oystercatcher sculpture faces the prevailing winds.
Expressionist, broadly figurative, presented in a loose, vigorous emotional style, Tony’s subjects are humans, animals and landscapes where figures are often distorted and surreal in form. His passion for conservation and recycling informs his work.

Matariki Bird Bearing No 2 - Tony Johnston
Acrylic on board, 300 diameter
Tony Johnston is a visionary and ‘under the radar’ artist, whose works have featured in NZ Parliament, Manurewa Library, Manukau City Council Chambers and on the Firth of Thames where his Torea Mangu Oystercatcher sculpture faces the prevailing winds.
Expressionist, broadly figurative, presented in a loose, vigorous emotional style, Tony’s subjects are humans, animals and landscapes where figures are often distorted and surreal in form. His passion for conservation and recycling informs his work.

Tirama, Tirama - Kristina Robertson
Teracotta lamp shade, 470 high, light bowl 220
Hokianga ceramic artist, bush walks and glassy waves have been the inspiration behind her work. Stunning combinations of colour, creating beautiful and function work

Matariki Karaka Rau - Michelle Morunga
Karaka leaves, acrylic, resin, framed 620 x 860 (as shown)
Hokianga artist, Michelle Morunga BAA (visual), Grad. Teaching Dip (secondary) has been a practising artist for more than 15 years and over that time has expanded her creative knowledge across several art genres, including printmaking, mould making, wood carving, stained glass and paper making.
Michelle also teaches art at Te Kura Kaupapa o Hokianga and 10 years on this continues to be her focus.
‘The importance of whanau, identity and significance of place continue to be the major themes in my work. I believe my art encompasses who I am. It is said that ‘if you do not know your family’s history you do not know anything. You are a leaf that doesn’t know it is part of a tree.’
The leaf continues to be Michelle’s signature medium for exploring and expressing ideas around identity, belonging and whakapapa.

Matariki Northland Night Sky ( Kaiwaka) - Gaf Ferner
Oil on canvas, 300 x 1220
Gaf is a quintessential vernacular artist and visual story teller. His work encompasses both the natural and built environment of Aotearoa NZ. His paintings represent both the real and the mystical aspects of our turangawaewae. Through his work

SOLD Map of Aotearoa New Zealand - Jeff Thompson
Galvanised steel acrylic paint, 1000 x 500
Jeff Thomson is a New Zealand sculptor best known for his colourful sculptural works fabricated from corrugated iron. These range in size from a life-sized giraffe to gallery-friendly wall hangings.

Seven Sisters Tracks Blue - Lindsay Antrobus Evans
220 x 220 100
Born and raised in Sydney on Wangal Country, Lindsay journeyed to New Zealand in 1992 and now lives in Hokianga at Motukaraka, Ngai Tupoto Whenua. Lindsay is a 3D multi-media artist and a graduate of the Diploma of Applied Arts – NorthTec, Rawene Campus.
My works arise out of a need to express 'things on my mind' and an accompanying desire to manufacture a physical resolution to them.
The process, the research and the pondering, the mark-making are personal. The final pieces carry sensory overlays that shield my process and render them accessible to others.
The materials, including found objects I utilise, usually have a strong resonance of country for me. A resonance that reconnects and grounds me.
Statement.
These two works, 'Seven Sisters Tracks', are inspired by the Matariki and Puanga season here in Aotearoa/New Zealand.
Born and raised in NSW I am constantly intrigued by the truly ancient Aboriginal cultures of Australia and one of their common stories reveals the tracks and pathways of the Seven Sisters, (Pleiades) as they traverse the land and sky country to escape their pursuer (Orion).
Nature has provided me with these two pieces of Sydney Bluegum bark with the tracks left by borer beetles.

Seven Sisters Tracks Brown - Lindsay Antrobus Evans
220 x 220 x 100
Born and raised in Sydney on Wangal Country, Lindsay journeyed to New Zealand in 1992 and now lives in Hokianga at Motukaraka, Ngai Tupoto Whenua. Lindsay is a 3D multi-media artist and a graduate of the Diploma of Applied Arts – NorthTec, Rawene Campus.
My works arise out of a need to express 'things on my mind' and an accompanying desire to manufacture a physical resolution to them.
The process, the research and the pondering, the mark-making are personal. The final pieces carry sensory overlays that shield my process and render them accessible to others.
The materials, including found objects I utilise, usually have a strong resonance of country for me. A resonance that reconnects and grounds me.
Statement.
These two works, 'Seven Sisters Tracks', are inspired by the Matariki and Puanga season here in Aotearoa/New Zealand.
Born and raised in NSW I am constantly intrigued by the truly ancient Aboriginal cultures of Australia and one of their common stories reveals the tracks and pathways of the Seven Sisters, (Pleiades) as they traverse the land and sky country to escape their pursuer (Orion).
Nature has provided me with these two pieces of Sydney Bluegum bark with the tracks left by borer beetles.