Eli Molloy-Wolt ‘Through Black Tears and Spittle.’ SOLD
SKU:
NZ$350.00
NZ$350.00
per item
NOTE: Work is not currently able to be purchased on line.
Enquires to Lynn Lawton: 021685737 or [email protected]
Medium: Wood, gesso, oil paint, soil, plaster, acrylic paint, poly-urethane
Fire sat on oil-filled plains, oil lakes, and fire trenches, covering sand and earth. Men laboured at those fiery wells, dousing sea waters to tame the flames. Bearing oily slicks on their rubber boot soles and skin.
When the reservoirs have dried, and the fires doused, the people stuck between it all will be free from the blackness of smoke plumes, and soot. A mass confines this box, its delicate canister of plaster crumbling in the palm.
Eli Molloy-Wolt
A recent graduate from the Ilam School of Fine Arts, residing in The Far North.
My practice focuses on documenting the ground we stand on, through dramatised reflections of spatial experience. Whether these reflections are written, manifested in installations, or captured through photography, the found materials are always in a state of flux, dissolving, reappearing frequently, and collected by those who value them. They serve as markers and references to define continuity within the many threads of life. This is not done to confine spatial encounters to their singular origins, but rather to weave them together through a narrative that expresses the impact of our living environment on our ways of being.
Enquires to Lynn Lawton: 021685737 or [email protected]
Medium: Wood, gesso, oil paint, soil, plaster, acrylic paint, poly-urethane
Fire sat on oil-filled plains, oil lakes, and fire trenches, covering sand and earth. Men laboured at those fiery wells, dousing sea waters to tame the flames. Bearing oily slicks on their rubber boot soles and skin.
When the reservoirs have dried, and the fires doused, the people stuck between it all will be free from the blackness of smoke plumes, and soot. A mass confines this box, its delicate canister of plaster crumbling in the palm.
Eli Molloy-Wolt
A recent graduate from the Ilam School of Fine Arts, residing in The Far North.
My practice focuses on documenting the ground we stand on, through dramatised reflections of spatial experience. Whether these reflections are written, manifested in installations, or captured through photography, the found materials are always in a state of flux, dissolving, reappearing frequently, and collected by those who value them. They serve as markers and references to define continuity within the many threads of life. This is not done to confine spatial encounters to their singular origins, but rather to weave them together through a narrative that expresses the impact of our living environment on our ways of being.
